The Philosophy of Non-Soviet Belarusian Poetry in the 1970s and 1980s

Authors

  • Adam Hlobus
  • Andrew Schumann

DOI:

https://doi.org/10.2478/

Keywords:

totalitarian society, poetry, existentialism, Minsk, Belarusian philosophy

Abstract

The interview given by Adam Hlobus (Uladzimir Vyachaslavavich Adamchyk, born September 29, 1958), a Belarusian writer, poet, artist, and publisher. He began publishing poetry in 1981 (in the newspaper Literature and Art and the magazine Maladosts). He is the founder of the Society of Young Writers “Tuteyshiya” (1986–1988). Selected books: Park (poetry, 1988), Loneliness at the Stadium (short stories, 1989), Death Is a Man (1992), Crossroads (1993), Damavikameron (1994), Just Don’t Tell My Mom (1995), Koidanava (1997), New Damavikameron (1998), Post Scriptum (1999), Texts (a collection of all previous books, 2000), Braslav Stigmata (2001), Notebooks (2003), Home (2005), coParticipants (2006), Letters (2006), Fairy Tales (2007), Convolutus (2008), Castle (2008), PLAY.BY (2009), Krutahory Fairy Tales (2010), New Sky (2010), Sayings (2012), Names. Literary Portraits (2013), Fairy Tales for Adults (2013), Portraits (2014), Stories about Minsk and Its Surroundings (2015), Reverse Perspective (2016), Family (2017), Capital Fairy Tales (2018), Features (2019), Angel (2021), Snowflake (2022), Our Neighbor Karatkevich (2025).

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Published

2025-05-13